"Honey, it’s ok I said at the end of a day, we’ll find a place to go, somewhere there’s no one we know"

It is nice to see someone write a good blog for a prominent media source about the overlooked music scene in your home town.

Enjoy.

(also, to give some input of my own on music, since its been so long, the blog title are lyrics from the Sleepercar song 'Wednesday Nights' from their album West Texas. Check it out, it is excellent.)

"Took a trip to California, to see where those old days had gone and the girl that went with them. Curiosity, thats all. I swear, I swear."

If anyone would have told me 10 years ago that I would be an avid listener of anything that sounded like or even influenced by country music, I probably would have punched them in the ear, called them a filthy liar, and would have followed all that by saying  something derogatory about their mother.  

And then, about 5 years ago, at the beginning of my first senior year of college, I randomly picked up a Cracker album - Forever (2001) - as I had heard a little of them as an alternative band, and was desperate for some new music. I should have known, I mean the band's name is Cracker after all, and the album cover had a picture of the band with two mid-aged ladies in curlers and bathrobes standing in front of a trailer:

At that point in my musical life, what was I thinking?  Was I absolutely delusional given my previous preference to even pseudo-country music?  I mean, what the hell did I think this band was going to sound like with an album cover like that?

I listened to the album off and on throughout the year, and the more I listened the more I was impressed with the music, and the more I realized that I may have been a little close-minded in my musical preferences.  But I was still skeptical that this had anything to do with country music, as it had great keyboard parts, and songs that were of a very intensely depressing variety and some songs were pretty heavy, and I could comfortably classify it as alternative with an americana influence.  I was blissfully ignorant.

And at some point that first Cracker album lead to buying another - Gentleman's Blues (1998) - and that lead to purchasing Uncle Tupelo's Anodyne (1993).  That in turn lead to checking out Camper Van Beethoven's Key Lime Pie (1989).  Then things got a little fuzzy after that, and I think I may have blacked out for a portion of my life.

I'm not ashamed.  I can look back on my life, and say that I was prejudiced against country music because all I heard was the horrible popular country, which really is just crappy pop music.  And what self respecting music lover would like that?

So, now, in the present day.  I can't get enough alternative country.  And it fills me to the brim with joy that Cracker is still making great albums.  I listened to their most recent release - Greenland (2006) -  while driving this past summer.  In fact, I've made it a point that whenever I take road trips, no matter how short or long, to listen to at least one Cracker album along the way.  And lately Greenland has been the Cracker album of choice (they're all excellent though).

There has always been something to me about the lyrical style used in the music of Cracker.  Its really more of a story telling style than anything else, and is very reminiscent of Lou Reed's lyrical style.  There is something about the lyrics and the tone of the music in alternative country songs - especially in Cracker songs - that blends so well, and settles just right for some reason.  Its hard to explain, but I can always identify with something in the songs and lyrics of Cracker, sometimes its even just the tone and texture of the song, not necessarily the words in the song.  Somehow Cracker (and alternative country music in general) just cuts deep to my soul - or whatever the atheist equivalent of a soul is - and it sticks with me.

And my final note on Cracker:  it amazes me how diverse their music is, how much it branches out from just being an underground alt-rock version of country, how it truly is influenced by more than just country and alternative rock music.  In my opinion (after this is my blog for my musical opinions) Cracker has come up with some the best and most creative songs from different musical genres than have been written by artists of those genres.  One of the best reggae songs I've ever heard - Better Times are Coming Our Way - is from the recent Cracker album, Greenland.  Also, one of the best best hip-hop/pop-rock songs I've heard - What You're Missing - is from their previous studio album, Forever.  And there is so much more that could talk about here about the diverse nature of the band, but I'll let you find out for yourselves.

I don't really have a final point to make here.  Just felt like talking about Cracker I guess.  It happens.  Enjoy.

3 months, 10 states, and worn out...but I return

As many of you have probably determined, I've been away from this blog for a while.  Call it a hiatus I guess, actually a hiatus that was out of my control, that comes around in the summertime, what with traveling around the countryside of the western U.S.  doing field work in areas that lack those modern conveniences of the city.  For those of you who thought this blog was dead - partial credit, I guess - but it is certainly not deceased.  

All the travel time in the summer allowed a lot of quality music listening time while driving, enough to fill a few blogs I think (hopefully).  Maybe it will be a temporary segment of good traveling music.

However, I will keep this to just being a status of the blog type post.  So, stay tuned, more coming soon.

"Sometimes I feel like I am leaving life behind, my hands are moving faster than the moving of my mind"

So, I am a teenage by-product of the 1990's.  I love the mid-90's music.  However, I must admit that my first musical love was music that my parents despised when they were the youth.  That's right...I was so popular in high school that I actually shunned the popular rock music of the day, and listened to psychedelic 1960's rock'n'roll (yes, all the popular youths were just clamoring to hang out with me, and I was invited to oh so many parties in high school...and that's sarcasm).  My first two loves in music was Jefferson Airplane and the Who.  I don't even remember how I came across  this style of music first prior to grunge, alternative and nerd rock, and really its not important.  All that I know is that a lot of these songs (often times complete albums) have stuck with me for almost 13 years now.

However, in the past about 4 years, I haven't been listening to Jefferson Airplane nearly as much as I used to.  However, thanks to the 'shuffle album' function on itunes, these albums have been in my music rotation for the past few weeks.  Its been refreshing in a sense to listen to these albums that are responsible for starting me on my 'powered by satan music' trend.

This evening I listened to Jefferson Airplane's second to last studio album, Bark (1971) prior to disbanding.  And honestly, the two albums after Volunteers (1969) aren't that great, and really just diminish to the end of Jefferson Airplane.  Who knows why.  But I must say that one of my favorite songs on Bark (and one of my favorite Airplane songs period) is Third Week in Chelsea.  

Hearing that song again for the first time in approximately 3 or 4 years was good reminder for me of checking out a band's entire catalog.  By the time of  Bark's release, Jefferson Airplane hadn't really had a well selling single since White Rabbit and Somebody to Love and so the albums following Surrealistic Pillow (1967) are not so well know (in theory).  However, there are all these great hidden gems of beautiful songwriting and musicianship amongst the mediocre in their final albums.  If I had stopped buying Jefferson Airplane albums after I had picked up Surrealistic Pillow, I would have missed out on the three awesome albums that followed - After Bathing at Baxter's (1967), Crown of Creation (1968), and Volunteers, and yet because I did seek out these other albums in the catalog, I found that I love these three albums more than Surrealistic Pillow (nothing against the album, its great too, but just personal preference I guess).  I would have also never heard the beautifully depressing Third Week in Chelsea, nor the excellent kick-to-the-groin/fight-the-man Eat Starch Mom.  So, go bust out the vinyl LPs from the storage shed and re-listen to Jefferson Airplane.  Its always good stuff, and appears to get better with a bit of age.  

On a separate note, I decided to change the title of the blog from 'Shit You Should be Listening to' to 'Love Notes from the Mosh Pit.'  Because, who doesn't like a good mosh pit?  thats it.

"I align myself to New England winter, and I give myself unto you. Drag it out, walk it home. San Diego!"

Burning Brides - Hang Love (2007)

There I was, sitting in the local coffee house, drinking my regular cup of tea and hanging out with my friend, urban explorer and fellow music-aficionado, Alex.

 

It was the week before the Thanksgiving pseudo-break at the university, and not a whole lot was planned for it.  I glanced over by the cash register, and the beginning of my Thanksgiving break was planned (well other than that damned isotopes take-home exam, but this is a blog about rock music, and I'm sure none of you care about thermochronology).  Over by the register at the coffee house, was a poster advertising a show for the following week in a little hole in the wall club headlined by Helmet.  For $10.

  

Ok, at this point, the little voice that represents my long-term memory gently reminds that "You fucking love Helmet!" Anyway, after calming down a bit, collecting my thoughts, and explaining who Helmet was and what type of music they play to Alex, our upcoming Tuesday night was planned. 

 

But this isn't about Helmet...

The big musical 'find' and 'surprise' of the evening was the band that played right before Helmet: the Burning Brides.  At the instant they started playing, its was a wall of sound filled with blazing hard rock guitar riffs and noodles, absolutely tight and creative rhythm section work, and vocal stylings often like a mix between Iggy Pop, Kurt Cobain, and Saturday Night Live-era Jim Belushi rolling around on the stage yelling into the microphone, but a voice that can also hold its own in death rock circles.  Add in the constant onstage head-banging, moshing, and general flailing of limbs of the three flannel-shirt and converse-shoe clad band members, and the all-around energy of a Stooges, Ramones, or Who concert.  The Burning Brides came to play at full-capacity, and there was not a point in their set that they failed in doing so.  It was, without a doubt, one of the best representations of what rock 'n' roll band should be that I have ever witnessed.

  

And their latest album, Hang Love (2007), does not disappoint for those who have seen them live as well.  The wall of sound is preserved beautifully on the LP, and the heavy guitar riffs and all-around tight performances are plentiful from the beginning of track one to the last second of the album.  The album also has a great dark texture, and full, broad, 3-dimensional sound throughout.  

And for those of you who unfortunately have not attended a Burning Brides show, the album is very adequate for provoking living room head-banging and moshing.  If you aren't convinced yet, I recommendation for an initial listen,  the songs "Ring Around the Rosary," "San Diego," "She Comes to Me," "Your Nation Will Die," and "Unglued."  (Hopefully, those of you reading this are fortunate enough to live close enough to a good record store that might be able to let you listen to an album you're contemplating purchasing.  If not, then check out the myspace link at the bottom.)

Thats it for this blog.  Check out the Burning Brides of course, they will not disappoint.  Until next time kids, enjoy the rock music.

Burning Brides (Official site)

Burning Brides (Myspace site)

"I'll embezzle what's left of my band fund, to take necessary action to destroy what I have made."

Bomb the Music Industry!

Ok, so I was going to wait until I got an album that I had ordered to post something, but I think its going to be delayed for a while, so I'll talk about something else for now. 

 

I don't really have a specific album to talk about for Bomb the Music Industry!, but they have released several in the past few years over the internet over at Quote Unquote Records  (In no particular order: Album Minus Band; Goodbye Cool World; To Leave or Die in Long Island; and Get Warmer).  They are all excellent.  I think what makes a band like Bomb the Music Industry! stand out is that they take genres like ska and punk and breathe new fresh life into them, but all the while remain within the creative misfit underground of these genres.  As with all great music, its hard to describe to someone short of saying 'Here, just listen to it.'  However, I will attempt it, since that is what this blog is about.  Bomb the Music Industry! has a strong DIY ethic to their music, and it is very apparent from the first moment you start to listen.  Their songs are often riddled with noisy, yet blazing, biting, and highly distorted punk rock guitar riffs, but they also incorporate a lot of ska-based elements (ska guitar rhythms, and horns - even where there is no hint of the offbeat reggae-infused ska rhythm, etc.) in their work.  However, unlike most of the 'ska' music out there today, its actually something you can still incite a mosh pit while listening to it.  It also includes an element of electronic music, with a plethora of keyboard riffs, and a lot of their drum parts appear to be produced by drum machines.  I kind of like to think of Bomb the Music Industry!'s approach to recording and making music as similar to the Trent Reznor/Nine Inch Nails ethic, but with the addition of the guerilla-warfare attitude of the most underground of punk music.  The lyrics, true to punk rock music, are often hard to understand, but thats part of any good rock music, yet they lyrics are often biting and ridiculing of current trends in the music biz, as well as being filled with inside jokes and what not (I guess thank goodness for the 'liner notes' written by the lead guy, Jeff Rosenstock, for their albums over at Quote Unquote Records, which are interesting).

I originally 'discovered' Bomb the Music Industry! through the punk-based webcomic Nothing Nice to Say (see links to the side), through Mitch Clem's now annual "Best Albums of the Year" bit.  I think he mentioned "Goodbye Cool World" as one of his favorites last year (I can't really remember the exact time).  So, I went and checked out the link the album, and listened to it, and the other albums that were available, and initially thought 'ok, cool, I like it.'  That was about it, until I slowly started to listening to Bomb the Music Industry! (all good music should be listened to over a long period of time in order to really appreciate it in my opinion) more and more over the next year or so.  However, I wasn't completely sold on them, as can be expected with any sort of experimental music, until I heard the song 'Future 86.'  Wow.  Beautiful, and I completely identify with the dude.  Very well done too, and I especially like the story behind how it was created (check the liner notes that I mentioned earlier).  That's what I have to say about that song, and every time I hear it to this day, it still strikes that same chord within me.  I guess thats the meaning of good music (or something like that).  After that, I was hooked on this band.  Check out the song, but I hope you also find a song that you find just as good on the other albums.

Yeah, well, I guess thats it.  Oh yes, and the title is a quote from 'Future 86' by Bomb the Music Industry! (duh, of course, did you just skip the entire blog and go straight to the last paragraph?  If you did, this last paragraph is quite disappointing, isn't it?).  I guess I'll try to put a song quote as the blog title as a pseudo-tradition or something. Go check out Bomb the Music Industry!  Until next time, crank the tunes up, but try not to hurt yourself.

Related Links:

Quote Unquote Records

Bomb the Music Industry! (Official Site)

Nothing Nice to Say

Standard Introduction, Greetings, Salutations, etc.

Writings, rantings, ravings, and reviews about rock music.  Sometimes about specific albums, sometimes about recent shows that were attended, sometimes about who knows what.   These reviews and discussion will not focus solely on brand new music, but rather music that is often just new to me, or music that I have been listening to at nausea lately.  This could be music that was released yesterday, to music that my parents despised when they were teenagers.  I have been thinking about doing a blog along these lines for a few years now, and hopefully it will be somewhat entertaining to a few people in the vast black hole that is the intrawebs.  However, as this is just a thing to do in my spare time, I do not know how often I will be able to update this.  I'm aiming for once every couple of weeks, but it could be less or more than this depending on my free time and my mood.

It should be noted that these are my own opinions, so if you disagree, that's perfectly alright.  If you are so offended by my opinions about music, that you feel the need to resort to base, hurtful, and derogatory  comments, then thanks for reading, and maybe you should go start your own damned music blog instead of wasting my time (and other folks' time) by giving me shit about what I have to say in mine.  

To the rest of you, enjoy, and I look forward to any comments, discussions, help, corrections, different theories, humorous related anecdotes, further listening suggestions, etc.